January has a rich slate of web series and movies on the OTT platform. Joginder Tuteja gives us a quick look.
Men losing money, men turning money into superpower and lots more stranger things on OTT this week. Sukanya Verma lists them out.
Big films like Dhurandhar, Chhava and Kantara: Chapter 1 hit box office gold in 2025, and its directors, Aditya Dhar, Laxman Utekar and Rishab Shetty, have proved their worth. But many other directors made an impact with their 2025 releases, in various languages.
If there's one colour palette that absolutely owns the holiday and wedding season, its jewel tones.
Ranveer has shown the right instincts in his choice of roles, which he has played with seeming effortlessness, backed with preparation and understanding.
A fanciful air envelopes Aap Jaisa Koi's modest drama, of a story lost in its own bubble that's only burst by villains in the form of judgemental jerks and heroes in need of rescuing, observes Sukanya Verma..
Netflix unveils a slew of new and exciting film titles.
2025 started with a blockbuster in Chhaava and ended with an even bigger one in Dhurandhar. There have been other Hindi hits too, and we take a look at the Top 10.
On the basis of his rogueish Veeru in Sholay and Parimal in Chupke Chupke, Dharmendra softened his He-Man image and went on to do a series of charming comedies.
The sheer awfulness of Andaaz 2 really doesn't deserve anyone's time or attention, warns Mayur Sanap.
Mrunal Thakur teams up with Telugu star Adivi Sesh for the romantic action drama Dacoit.
From India's entry to the Oscars to the foodie flamboyance of Bollywood's first family to Srikant Tiwari's hope for a hat-trick and Korean entertainment in deeply dark mode, it's raining OTT goodies this week.
Aseem Chhabra ranks the Best of 2025's films that released in theatres, or went directly to OTT platforms.
In the midst of crime and cop shows all over, a family comedy comes as a relief, notes Deepa Gahlot.
There will be a lot of excitement in the theatres in December but OTT entertainment looks good too.
'I have always broken my image every time I went on screen. I don't know what it means to be a Greek God but people used to call me one.'
'In almost every film, Shah Rukhbhai has done a lot of his own stunts.'
The year had a variety of films to choose from. Not all of them were successful at the box office, but had merit.
Kartik Aaryan and Ananya Panday's romantic drama, Tu Meri Main Tera, Main Teri Tu Mera, is set to release on Valentine's Day.
Those who have not watched earlier seasons of Stranger Things would be baffled by it, but then the finale is meant for fans who understand the themes and remember its mythology, observes Deepa Gahlot.
Sukanya Verma lists everything that's there on OTT this week.
This turgid drama, solely designed to titillate male audiences, move from one hare-brained scene after another with intermittent over-acting, ear-splitting background music, and over-the-top dialoguebaazi, sighs Mayur Sanap.
Samantha and Bhumi Pednekar twinned in striking white power looks at H&M's 10 year anniversary bash.
Bhagwat Chapter One: Raakshas: An average watch instead of a compelling nightmare, notes Mayur Sanap.
Sabar Bonda is a tender, and exquisitely crafted slice-of-life drama that taps into universal human desire of making a meaningful connection with another human being, observes Mayur Sanap.
July has so many interesting films to choose from!
Dharmendra remained one of the most loved stars of all time, even when his movies tapered off, and age caught up with him.
Bollywood has come out in full support and shown solidarity to Indian army by postponing film releases and several events post the deadly Pahalgam attack and India's Operation Sindoor
October looks bright with a lot of festive season releases on OTT.
This time, it's a case of pyaar vs parivaar where Ajay's character tries to win over his girlfriend's parents, played by R Madhavan and Gautami Kapoor.
'Back then, Shah Rukh Khan had no style, but he understood his strengths.' 'He knew he was appreciated for his energy and that boosted his confidence.' Rediff celebrates Shah Rukh Khan's 60th birthday on November 2 with a special series that introduces us to the man behind the superstar.
'You can't make art with a point of view of fear. You have to present the truth.' 'That's why such films are not being made these days.' 'You never put the truth in the script because you fear you might offend somebody.'
'Today, Shah Rukh is sitting so high up that it will have to be something really spectacular for him to jump up and say, "Hey, yes, let's make this film!".'
'I was a nobody when I came here, and now I've become something.'
The comedy is unfunny, the emotional bits are dubious and the music forgettable in Heer Express, observes Deepa Gahlot.
When not harnessing Hrithik Roshan's dripping handsomeness for lady-killer purposes, Bollywood has found him quite a fit for on screen bromances as well.
'The way the anticipation is built up for Gabbar Singh's introduction scene with sound, image and details of his personality, like the combat boots he wears.' 'The camera comes so close -- not a tele lens shot, but a wide-angle close-up -- that you can almost smell Gabbar's breath.'
'The way Helen ma'am grooves, she's so seductive.'
Dinesh Raheja charts the highs and lows of Hrishikesh Mukherjee's creative association with five megastars -- Amitabh Bachchan, Rajesh Khanna, Raj Kapoor, Dilip Kumar and Dharmendra.
Arjun Menon celebrates his 70th birthday on August 22 by looking at his most memorable films.
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